After Effects Grain Tutorial

Grain on your DSLR footage? No way

but yeah. do it

Box Race - Post Production Begins

The post production begins. More details later, or never, i think.

750w to 1500w Work Light Mod

Here we go! The 750 to 1500 watt work light mod. You will want to be extra careful with this one, since it uses so much power and takes a bit more wiring.

So here is a shot of everything I used for this project, and in a list:

Stand Mount and Cable Management

As good as work lights are, only the $35 ones come with some sort of stand you can mount them on. Fortunately, there are other methods to get lights on stands. Right now, the cheapest option is the Smith-Victor 525a Stand Mount. This will mount onto a standard 5/8" light stand and has a hole on top to drive a bolt though.The L bracket comes off. Here I have used this adapter on a work light:

500w to 1000w Work Light Mod

If you have ever tried using halogen work lights as low budget film lights you may have noticed that the light output is not as much as you'd like, especially after you diffuse it. Well, I have a solution for you. What I have done is take a 500w work light from Lowes and converted it to use a 1K bulb found in the Mickey-Mole and other pro film lights. While the beam spread may not be as good as the name brand lights, it gets the job done for a fraction of the cost. The total cost for this project is $25.

Powering Lights in Remote Locations

If you have ever thought about shooting in the middle of a forest at night or in some other remote location where you need lights you may have wondered how you will power your 1000W halogen lights. Well the first and easiest option is to try to light the scene without extra lights.Anything light colored will work as a reflector to bounce light back at your subject. This will obviously only work during the day. But sometimes your shoot will need to be at night. Have you ever wondered what the difference is between day and night? Besides the brightness and color temperature there is no difference. To go from day to night you can just underexpose the shot by 2-3 stops and set your white balance to something blue, 2500K.

If you are really set on shooting at night then you can stop by home depot and pick up a 3000W portable generator for $219. It will provide plenty of power at the cost of a little noise in your audio. Just get a 50 foot extension cord and with a little noise removal in Audacity you should be good to go.

Another option is to find a location within reach of extension cords. I wouldn't reccomend going further than 150 feet to avoid burning out the cords.

The last and most expensive option is to power you lights with a battery. A 10 to 20 amp hour sealed lead acid (SLA) battery will work well. You can find them on ebay for $25-$45 depending on the size. Combined with a clamp light and a 45W CFL you should have light for about an hour.

Clamp Light

The clamp light is the best unintentional invention for film making. They can be found at any hardware store and typically cost about $8. They are essentially a 10 foot cord with a light bulb socket on the end. You can keep or remove the metal reflector dish depending on the kind of light you want. You can put any kind of standard bulb in them as long as it is less than about 500W. I find that 23-45W CFL lights work best because they produce much more light than an incandescent bulb, but if you're on a tight budget you can always grab regular bulbs.

The best place on the internet to find all kinds of bulbs is 1000bulbs.com

Tip: The "standard" socket is called E26 or E27. They are pretty much the same thing.